Posts Tagged ‘covers’

Lawsuits

Monday, January 19th, 2009

Even though I don’t list it in my tongue-in-cheek biography, I am a lawyer–even though I am not now a practicing lawyer.  One of the things I think I learned as a lawyer is that civil lawsuits are an ineffective way of making people happy–and people often file suit, not out of coldly rational calculus, but because they are trying to fill an unmet emotional need.  It may sound great to win a giant verdict, but 95% of the time, a favorable ruling is an ephemeral brass ring that disappears once you touch it.

I started thinking about this a few days ago, when Kristin posted on her blog about cover consultations.  One of the commenters suggested that someday, a publisher would be sued, and an injunction obtained, over cover consultation.  It might happen one day–but it struck me as such a horribly wrong-headed approach to the matter, that I’ve been thinking about the problem presented for days.

It won’t surprise you to hear that some lawyers advise clients, when faced with a potential lawsuit, to avoid admitting guilt or providing information.  After all, if you say, “I’m sorry, it was my fault,” in court, they will ask you, “Hey, didn’t you say it was your fault?”  And you will have to answer yes, and then you will lose.  But there was a rather startling study produced by the Journal of American Medicine a few years ago that found that in malpractice cases, lawsuits went down if someone sat down with the people in question, told them precisely what went wrong, admitted fault and responsibility, and told them how they’d taken measures to prevent such accidents in the future.

Why?  Personally, I think it’s because most people don’t file lawsuits because they’re trying to get the money or because they honestly believe it is the best step to take in their careers.  Most people file lawsuits because they’ve been hurt, they are angry, and they want to feel vindicated.  They file lawsuits because they’ve stopped seeing the person they care about as human and real, and they see them only as an adversary to be ground into the dust.  Adding that human touch–letting the patients know that the doctors did care, and responded to their pain and wanted to do what was right–made a huge difference.  Ultimately, people know that a lawsuit will never bring Grandma back.  But being treated by the medical professionals as if you are human instead of a walking, talking liability helped them channel their grief and anger in some way other than lashing out legally.

I’m not trying to say that lawsuits serve no purpose.  They do, obviously, and they’ve done great (and terrible) things for our society.  I’m not even trying to say that you shouldn’t sue doctors for malpractice.  If a doctor is incompetent, she should not be treating patients, and I approve of methods that make it impossible for that doctor to earn a living.

But I do think that your life will be happier and more free of stress if you try not to find a lawsuit everywhere you look.  This is especially true of publishing contracts.  Most of what I saw in my publishing contract was about two sides working together.  I’m going to give them a timely product that is the best work I can do.  They’re going to let me know how to make it even better, and I’m going to listen–because we both want the same thing, which is for my books to capture as many readers as possible.

And I don’t see how I could have that relationship if I thought of the contract, and our agreement, as an adversarial one.

Sometimes, this relationship breaks down.  (When it does, it leads to cringeworthy train wrecks on Dear Author that leave me noting to myself that I will never, ever under any circumstances work for a publishing house where managers tell authors to shut up or sue.)  But most of the time, you don’t hear anything about it–except thanks, from authors to editors and publishing house staff, for all their hard work.

Covers, Part II: Movie Actors

Tuesday, January 13th, 2009

HQN gave me a big huge form to fill out for my cover art.  (Suzanne McMinn has posted about the system, so if you want to get an idea what it’s like visit her site.)  I actually found the form really fun, in part because I’m not a hugely concretely visual person.

They asked me if there were any actors who looked like my characters.  My initial answer, which I figured would not start my relationship with the Art Department off on the right footing, was, “Probably, but I don’t know who they are.”

Some people pick actors to represent their characters.  My problem is that I don’t remember actor names.  In fact, I am awful with names and face-recognition.  When watching movies I can barely remember the guy’s name in the movie, and if he changes his clothes drastically, I’ll turn to Mr. Milan and prod him and say, “who is that dude that just showed up onscreen?”  And Mr. Milan will be like, uh, the main character, the guy we’ve been watching for two hours?

So my first strategy was to sit down with Mr. Milan and have him list names of movie actors.  “Ben Affleck,” says he.  “Ben Affleck,” I dutifully repeat, typing it into Google Images search.  Images come up.  Ugly images.  My nose wrinkles.  “Okay,” I finally say, “That dude is not Gareth.  He’s ugly.”  No really.  Ben Affleck is ugly.  Seriously ugly.  I can’t believe it.  I know I’ve heard of him; I just did not realize that he was ugly.

“Fine.  Orlando Bloom,” he says, knowing that I actually think Bloom is cute.  But the answer is already no–Orlando Bloom always looks like he’s sharing a private joke with the world and Gareth is not so much into smiling.  So that is a no go.

We go through about twenty more names.  For some reason, Mr. Milan keeps feeding me extremely awkward looking dudes.  He explains that he thought I wanted someone that looked different.  Different?  Possibly.  Ugly?  No.  Finally he mentions John Cusack, I look up John Cusack, who is all wrong but at least cute, and I say, fine, John Cusack.

I e-mail my critique partners with the good news–which I ought to have done immediately, without bothering with Mr. Milan, who I now know has terrible taste in men–and Tessa says immediately, no, no, he’s Viggo Mortenson!  I look up Viggo when he is not being Aragorn and lo and behold.  He is, in fact, Gareth.

The moral of the story is that my critique partners have better taste in men than my husband.

So here are my main characters.  Hi, guys.  Nice to meet you.

Gareth (Viggo Mortenson)

Jenny (Laura Fraser)

Jenny (Laura Fraser)

Covers!

Monday, January 12th, 2009

Over the last handful of days, I’ve been filling out some basic information as a prelude to starting work on the cover of my debut, PROOF BY SEDUCTION.  This, more than anything–more than the deal announcement on Publisher’s Marketplace, or even signing the contract and shipping it to Canada–has made the sale seem like it really happened.  My book will have a cover.  It will be produced in a format other than Courier New double spaced, and it will be bound and everything.  Whoa!

But along those lines, my amazing critique partner, Tessa Dare, just got her covers for her back-to-back trilogy from Ballentine.  Her trilogy starts with Goddess of the Hunt, released on July 28, 2009, and I can’t wait for everyone to be able to read this book.  It sold at auction, and once you start reading it, you will know why.  As her critique partner I read it through several times–and let me tell you, there is no book I would rather have read 10 times.  I loved it every time I read it, and you will, too.  The most amazing thing about this trilogy is that with a first book this good…  the second one, Surrender of a Siren, is even better.

So here are her covers!  Now go preorder these books.  :)

Goddess of the HuntSurrender of a SirenA Lady of Persuasion


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