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	<title>Courtney Milan's Blog &#187; long live print publishing</title>
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		<title>RITA eligibility, part II</title>
		<link>http://www.courtneymilan.com/ramblings/2009/01/26/rita-eligibility-part-ii/</link>
		<comments>http://www.courtneymilan.com/ramblings/2009/01/26/rita-eligibility-part-ii/#comments</comments>
		<pubDate>Mon, 26 Jan 2009 16:00:14 +0000</pubDate>
		<dc:creator>Courtney Milan</dc:creator>
				<category><![CDATA[publishing]]></category>
		<category><![CDATA[epublishing]]></category>
		<category><![CDATA[long live print publishing]]></category>
		<category><![CDATA[RITAs]]></category>
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		<guid isPermaLink="false">http://www.courtneymilan.com/ramblings/?p=315</guid>
		<description><![CDATA[I mentioned the <a href="http://www.courtneymilan.com/ramblings/2009/01/20/weapons-of-mass-production">RITA kerfuffle&#8230;</a> briefly last week.  There&#8217;s been some discussion on the rwa-org listserv (ha ha, &#8220;some&#8221;]]></description>
			<content:encoded><![CDATA[<p>I mentioned the <a href="http://www.courtneymilan.com/ramblings/2009/01/20/weapons-of-mass-production">RITA kerfuffle</a> briefly last week.  There&#8217;s been some discussion on the rwa-org listserv (ha ha, &#8220;some&#8221; discussion) about it, and one of the things that has come up is a not-quite verified comment that &#8220;mass produced&#8221; means &#8220;listed in the Ingram&#8217;s catalog as returnable to the publisher.&#8221;</p>
<p>To which I have to say. . . wha?</p>
<p>Let&#8217;s see if I got this one right.  RWA&#8217;s goal is to advocate for authors and to advance romance publishing.  Got it&#8211;fine, I understand that.  Good.  Publishing is in turmoil.  I won&#8217;t say &#8220;in crisis&#8221; although surely it is a crisis for the editors who were fired, the imprints that were closed, and the authors who were abandoned in the dust-ups that are still ongoing.</p>
<p>And one of the major issues&#8211;one that I have seen listed far and wide from <a href="http://www.publishersweekly.com/article/CA6613172.html?rssid=192">industry</a> <a href="http://editorialass.blogspot.com/2008/11/crash-flow-or-what-went-wrong-in.html">professionals</a> <a href="http://waltshiel.com/2007/05/18/retailer-discounts-ugh-returns/">on</a> <a href="http://www.ereads.com/2008/12/behind-publishings-wednesday-of-long.html">nearly</a> <a href="http://www.npr.org/templates/story/story.php?storyId=91461568">every</a> <a href="http://aptstudio.com/timesemit/2007/08/17/green-spin/">side</a> <a href="http://kaigou.livejournal.com/541427.html?style=mine">of</a> <a href="http://query.nytimes.com/gst/fullpage.html?res=9C0CE0DE1138F937A25756C0A966958260&amp;sec=&amp;spon=&amp;pagewanted=all">the</a> <a href="http://editorialass.blogspot.com/2008/11/varying-perspective.html">fence</a>&#8211;is the somewhat byzantine system of returns.</p>
<p>I understand this might not be the actual criterion used by RWA for defining &#8220;mass-produced&#8221; since I did not see an official proclamation.  I also understand that it probably was not chosen with great forethought&#8211;just that when push came to shove, someone had to come up with a definition and that was it.  But if you&#8217;re going to advocate for authors, can you not use as a criterion of minimum professionalism something that people believe is killing the publishing industry?</p>
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