Posts Tagged ‘publishing’

Lawsuits

Monday, January 19th, 2009

Even though I don’t list it in my tongue-in-cheek biography, I am a lawyer–even though I am not now a practicing lawyer.  One of the things I think I learned as a lawyer is that civil lawsuits are an ineffective way of making people happy–and people often file suit, not out of coldly rational calculus, but because they are trying to fill an unmet emotional need.  It may sound great to win a giant verdict, but 95% of the time, a favorable ruling is an ephemeral brass ring that disappears once you touch it.

I started thinking about this a few days ago, when Kristin posted on her blog about cover consultations.  One of the commenters suggested that someday, a publisher would be sued, and an injunction obtained, over cover consultation.  It might happen one day–but it struck me as such a horribly wrong-headed approach to the matter, that I’ve been thinking about the problem presented for days.

It won’t surprise you to hear that some lawyers advise clients, when faced with a potential lawsuit, to avoid admitting guilt or providing information.  After all, if you say, “I’m sorry, it was my fault,” in court, they will ask you, “Hey, didn’t you say it was your fault?”  And you will have to answer yes, and then you will lose.  But there was a rather startling study produced by the Journal of American Medicine a few years ago that found that in malpractice cases, lawsuits went down if someone sat down with the people in question, told them precisely what went wrong, admitted fault and responsibility, and told them how they’d taken measures to prevent such accidents in the future.

Why?  Personally, I think it’s because most people don’t file lawsuits because they’re trying to get the money or because they honestly believe it is the best step to take in their careers.  Most people file lawsuits because they’ve been hurt, they are angry, and they want to feel vindicated.  They file lawsuits because they’ve stopped seeing the person they care about as human and real, and they see them only as an adversary to be ground into the dust.  Adding that human touch–letting the patients know that the doctors did care, and responded to their pain and wanted to do what was right–made a huge difference.  Ultimately, people know that a lawsuit will never bring Grandma back.  But being treated by the medical professionals as if you are human instead of a walking, talking liability helped them channel their grief and anger in some way other than lashing out legally.

I’m not trying to say that lawsuits serve no purpose.  They do, obviously, and they’ve done great (and terrible) things for our society.  I’m not even trying to say that you shouldn’t sue doctors for malpractice.  If a doctor is incompetent, she should not be treating patients, and I approve of methods that make it impossible for that doctor to earn a living.

But I do think that your life will be happier and more free of stress if you try not to find a lawsuit everywhere you look.  This is especially true of publishing contracts.  Most of what I saw in my publishing contract was about two sides working together.  I’m going to give them a timely product that is the best work I can do.  They’re going to let me know how to make it even better, and I’m going to listen–because we both want the same thing, which is for my books to capture as many readers as possible.

And I don’t see how I could have that relationship if I thought of the contract, and our agreement, as an adversarial one.

Sometimes, this relationship breaks down.  (When it does, it leads to cringeworthy train wrecks on Dear Author that leave me noting to myself that I will never, ever under any circumstances work for a publishing house where managers tell authors to shut up or sue.)  But most of the time, you don’t hear anything about it–except thanks, from authors to editors and publishing house staff, for all their hard work.

Exciting News

Thursday, January 15th, 2009

I have to admit, calling this “news” is a bit of a stretch, since I’ve been sort-of-not-really sitting on this piece of information for a few months.  But I’ve never formally announced it on my blog, and so I figured I should do so.

PROOF BY SEDUCTION will not be my publishing debut.

There.  I’ve said it.

HQN has asked me to participate in a Christmas-themed anthology for 2009, and so my offical debut will be a novella that I am writing for that collection.  The other novellas will be from Mary Balogh and Nicola Cornick (they are, I think, previously published novellas for the other two authors–when I have more details, I’ll let you know.)  It should be released in October of 2009.

As for my little novella….  well, if you want to find out more details, you’ll just have to come back and see what you get, right?

Covers!

Monday, January 12th, 2009

Over the last handful of days, I’ve been filling out some basic information as a prelude to starting work on the cover of my debut, PROOF BY SEDUCTION.  This, more than anything–more than the deal announcement on Publisher’s Marketplace, or even signing the contract and shipping it to Canada–has made the sale seem like it really happened.  My book will have a cover.  It will be produced in a format other than Courier New double spaced, and it will be bound and everything.  Whoa!

But along those lines, my amazing critique partner, Tessa Dare, just got her covers for her back-to-back trilogy from Ballentine.  Her trilogy starts with Goddess of the Hunt, released on July 28, 2009, and I can’t wait for everyone to be able to read this book.  It sold at auction, and once you start reading it, you will know why.  As her critique partner I read it through several times–and let me tell you, there is no book I would rather have read 10 times.  I loved it every time I read it, and you will, too.  The most amazing thing about this trilogy is that with a first book this good…  the second one, Surrender of a Siren, is even better.

So here are her covers!  Now go preorder these books.  :)

Goddess of the HuntSurrender of a SirenA Lady of Persuasion

Uh, wow?

Thursday, January 8th, 2009

So apparently the little piece of information that I did not write my own query letter has touched off a bit of a firestorm.

Over on Nathan Bransford’s blog, there’s a lengthy (and really interesting) discussion about whether it’s okay to write your own query letters.  Some people say that a query letter is your own work and anything else is dishonest.  Other people say, whatever works, works.  Jennifer Jackson says, unequivocally, no, you should write your own query letter.

I do want to point out one thing, which I hope doesn’t piss off anybody.  On this point, the interests of agents and writers do not align 100%.  As a writer, you want someone to pay maximum attention to your pages.  But an agent wants to focus her very valuable time only on the projects that are most likely to pay dividends.  If I were an agent, I think I would shiver in fear at the thought of everyone being able to produce really awesome queries–because then how do you allocate your valuable time?  How do you filter out manuscripts?  As an unagented writer, I didn’t care about any of those concerns.  I just wanted to hop the filter.

But I do have to say that I think it worked in my case for two reasons.  First, the query letter that Sherry wrote was one that I rewrote until it was in my voice.  Sherry did an awesome job of highlighting the conflict.  And because she doesn’t do this regularly, and wasn’t getting paid for it, and read the pages and got the manuscript, she really understood the crux of the conflict in my book and to help me get it right in the query letter.  I doubt you could pay someone to do what Sherry did for me, and I seriously doubt that someone could start a query service that would make money on such an endeavor.  And when Sherry sent me the version with the conflict highlighted, she specifically did not edit it–so that I would be forced to go and write it in my voice.

I wanted to hop the filter, but I also knew I wanted to hop the filter with the right agents.  And so I knew it was my responsibility to take what Sherry had given me and both make it representative of my voice, and make sure that it captured the heart of my book.  I wanted an agent to read it and think, “how cool”–and then read my pages and think, “yep, that’s what this query told me.”

In some sense, a query letter is like giving an agent a sniff of your book before they take a bite.  Have you ever bitten into something expecting raspberry, and gotten ketchup instead?  Even if you like ketchup, the difference between expectation and actual delivery will make you recoil.  I knew that if the query did not represent my book on all levels, it wouldn’t be a good tool for me in the long run.  So I didn’t send it out until I was sure that it represented my book.  More importantly, I also felt like the query letters I tried to write myself did not represent my book, either–they weren’t good enough for it–and so I wasn’t going to send them, either.

I think you should do as an author whatever works.  I don’t think it would work to have someone else write your query, and not have it represent your book, both in terms of plot summary, quality of writing, and voice.  And I think that if you don’t know what represents your voice and quality of writing and the plot of your book, you have bigger problems then a mere query letter.


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