A letter to the DOJ

May 16th, 2012

A few days ago, Simon Lipskar wrote a letter to the Department of Justice, detailing his issues with the pending antitrust lawsuit. One of his issues with the settlement appears to be that he has no clue what the law of antitrust is, and didn’t bother to talk with even a marginally competent lawyer about the legal requirements. Charles Petit over at Scrivener’s Error does a lovely takedown; and Jane Litte over at Dear Author has gone through the amended complaint in the multistate class action suit. I hope Lipskar reads that complaint carefully and reconsiders his position, because the allegations that are made in that complaint are that this was a conscious, criminal conspiracy to fix higher prices and cost consumers hundreds of thousands, if not millions of dollars. Criminal conspiracies, no matter their intent, are never in the best interest of the publishing community.

Nevertheless, in Lipskar’s open statement to the community, he asked members of the publishing community to weigh in on the issue and make our voices heard, and to post our letters publicly. So I did. I’ll be sending the following letter to the Department of Justice:

John R. Read
Chief, Litigation III Section
United States Department of Justice
450 5th St NW
Suite 4000
Washington DC 20530

Dear John Read:

This letter is written as a response to literary agent Simon Lipskar’s defense of the agency-pricing scheme, sent to you and posted openly on the internet.

I’m aware that the Department of Justice’s attorneys hardly need me to explain how deeply flawed Lipskar’s understanding of antitrust law and competition really is. As the ongoing settlement is, however, a public process, I wanted to provide the DOJ with enough paper to demonstrate that not all members of the publishing community walk in lockstep with Simon Lipskar.

Specifically, Lipskar cites Amazon sales ranks demonstrating that many titles in Amazon’s top 100 are low-priced.

Of course, this doesn’t demonstrate that consumers weren’t harmed (even if such an inquiry were relevant; colluding to fix prices is a per se violation of Section One of the Sherman Act and so consumer harm is presumed). Instead, it demonstrates that because prices of New York Times bestsellers increased, consumers who would otherwise have preferred to purchase those books instead chose to purchase other books.

That agency pricing changed consumer buying habits is a demonstration of harm, rather than the reverse: Rather than buying the books they preferred at a reasonable price point, consumers instead bought books they might not otherwise have considered.

The second reason that Lipskar’s data is unconvincing is that it demonstrates a deep-seated misunderstanding of how cartels work. Game theory tells us that cartels never last. New entrants come into the market and undercut the pricing schemes; plus, there’s always an incentive for cartel members to cheat and grab market share. That low-priced books from non-agency publishers have taken over the market proves only that the cartel here did what cartels are wont to do, given enough time: It failed.

As defenses go, “this cartel was so ineffective that it scarcely had any effect on competition” wins points for chutzpah.

But given the allegations in the multistate class action complaint–that David Shanks asked for assurance that he would not be the only publisher signing the agency agreement, that Carolyn Reidy wrote “3 agree = OK” on a print-out of an e-mail detailing the agreement, that the publishers who had entered the agreement collectively put pressure on Amazon when it refused to accept the retail price maintenance agreement from Macmillan and sent each other encouraging notes, and that those publishers then used their relationship with Barnes and Noble to force Random House to join their cartel–this cartel has already maxed out on chutzpah.

Sincerely,

Courtney Milan

 

A tale of two royalty statements

May 9th, 2012

This is (one of) the times of the year when royalty statements from publishers arrive, and I just received mine.

I don’t intend this post to imply any moral condemnation of publishers themselves or of people who choose (for a variety of legitimate reasons) to publish with them. What I want to do is lay out two royalty statements: one for This Wicked Gift, my 2009 Christmas novella which was published by Harlequin, and one for Unlocked, my self-published novella released at the end of May in 2011. This is for informational purposes only.

This Wicked Gift was part of an anthology released with Mary Balogh and Nicola Cornick. Both the Balogh and the Cornick had been released earlier, but Balogh is a perennially popular author, and she’s particularly known for her Christmas tales. The anthology spent two weeks on the USA Today list and sold a bunch of copies. Since then, it has been translated into three other languages and released in both the UK and Australia

In other words, for a relatively new author–and this was my first published work–this story had an amazing run.

Between 2009 and December of 2011–in other words, a little bit more than two years–my novella made me $23,593.78. Which–don’t get me wrong–is totally awesome. (I also want to make one thing clear: Different countries didn’t always pair the same stories together, so my earnings on this are not the same as Mary Balogh’s and Nicola Cornick’s. I’m okay with sharing numbers; the other authors who have been part of this may not be, so please don’t make any judgments as to them.)

Unlocked also had a pretty freaking amazing run for a novella. It spent three weeks on the USA Today list. It’s been translated into one other language (that would be German). And in the last 11 months, it has made a total of $46,970.03–almost exactly twice as much, in half the time.

Now some of you are thinking, “Sure, Courtney, but you have to compare apples to oranges. You had to bear the costs of production for Unlocked. That can’t be cheap.”

True.

So to make this accounting more clear, I have to include costs.

I spent a total of $4143.48 on Unlocked. A good chunk of that went to producing the German version–I wanted a great translator, and that doesn’t come cheap. Also, I can’t proofread German, so the proofreading expense was higher for the German version. The rest went to covers, editing, advertising, proofreading, and a proportional amount of capital expenditures (computer costs, software costs, and the costs of various e-readers) that I charge to all my books in my internal accounting. (As a note: as I’ve self-published, my costs have gone down, as I figure out what’s necessary and what isn’t.)

But to make this fair, we also need to think about what I spent on This Wicked Gift, because there are expenditures involved with a book release. My accounting wasn’t nearly as good back then–today, I track every penny I spend. But I went back through my tax records and have reconstructed what I’ve spent. Ready?

I spent $6289.07. A decent portion of that is advertising. I also did a mailing to a large number of bookstores–around 800 or 900–which cost me postage, supplies, and printing. I gave away more than a hundred copies of the anthology (something that, by the way, I do not regret at all) on a variety of venues, which necessitated (a) buying more copies of the anthology, and (b) shipping them. I’ve also apportioned to the novella its costs for the excerpt book that I produced. But a good proportion of that expense is the cost of my agent, who gets 15% of the take. (And she’s earned it–and more. Really. One of the costs of traditional publishing is that it pays to have someone who will navigate the adversarial side of the relationship, leaving you to be friendly. And people can quibble over whether that is necessary, but it’s certainly necessary for me.)

So I spent more on my traditionally-published novella than I did on my self-published one.

Now the place it doesn’t even out is my time. I spent more time producing Unlocked than I did on This Wicked Gift. But it’s not a matter of zero to one: there are some things I had to do for This Wicked Gift that I never had to do for Unlocked. (From a personal perspective, I traded doing things that I hated doing–like remembering to do bookstore mailings–for things that I enjoyed doing–like organizing covers and the like.)

(Now, to be fair, there are some places where I simply didn’t have to spend as much money for Unlocked: by the time Unlocked came out, a handful of people had already heard of me, and so the promotional costs were by necessity not as large.)

I don’t want to imply that anyone who chooses Column A is making a bad choice. The fact that I had a traditionally published novella in an anthology that did very well absolutely contributed to my success when I went into self-publishing. And Unlocked benefited from a confluence of random series of lightning, striking often and repeatedly.

But for those who are looking for information, the bottom line is this: As an author, I spent 50% more on a traditionally-published novella. And I made half as much in twice the time.

Buy a piece of Courtney!

May 3rd, 2012

Every year, I donate something to the Brenda Novak auction which raises money for diabetes. I do this because it’s a good cause, it’s fun… and because several of my aunts have diabetes, and so it’s personal.

But it got a little more personal for me this year, About a month ago, my father was diagnosed with diabetes. (He’s okay–it was caught early, and he’s going to be doing everything necessary to keep it under control.)

So this year, I decided to do something special. And so there are three separate auctions you can bid on that involve yours truly.

1. For readers: you can bid on a year of getting my books early. I’ll send you a digital copy of the book when I send the book to the copy-editor. You’ll be getting at least three full-length titles and a novella for this, and in actuality, I’m hoping it might be more.

2. For authors: I’m auctioning off four months of self-publishing mentorship. I’ll offer advice and help and all that good stuff.

3. For anyone: If you happen to be in or near Anaheim, CA from July 26 through July 28, 2012, you can meet me, Tessa Dare, Carey Baldwin, and Leigh LaValle for dinner or drinks. It’ll be fun. You’ll also get signed books from all four of us–I’m throwing in a complete signed set of the Turner series.

This is for a great cause–and for me, this year, it’s for my dad. You may not be interested in any of the above, but please browse the listings–there is something there for everyone!

The Governess Affair is out!

April 24th, 2012

The Governess Affair coverHi everyone!

The Governess Affair is out! And by out, I mean available for purchase at these fine venues:

I have uploaded the file to Apple, but the word on the street is that Apple is running a backlog that may take days to months (!!!) and I’m really hoping it’s not the latter. It should also be up on kobo, Google, Sony, Diesel, and a host of other platforms (including Overdrive for libraries) within the next few days to few weeks.
I’m hoping that the wait times on all of the above are very, very short–I’ll keep my website/facebook page/twitter feed updated with the latest buy links.
Three Weddings and a Murder cover
In other news: you won’t have to wait too long to get my next published work. In this case, it’s a short story entitled “The Lady Always Wins,” and it’s in the anthology Three Weddings and a Murder, something authors Tessa Dare, Leigh LaValle, Carey Baldwin, and I are putting together. All proceeds will be donated to charity, and Carey Baldwin explains it better than I could.

Look for Three Weddings and a Murder at the end of May. (My contribution to that anthology is the shortest thing I’ve ever written: 16,000 words–but I happen to love it. I’ll say more later.)

Finally, are you in the Chicago area? I’ll be signing books–and yes, I’ll have e-books present.

I’ll be at the Chicago Marriott Northwest, 4800 Hoffman Boulevard, Hoffman Estates, IL 60192, on April 28th, 2012, from 2 to 3:30 PM, and I can’t wait to see you all!

 

The truth about the Fever series

March 31st, 2012

It’s always amazing to me when a small team of one or two people is able to stop the Mighty Forces of Evil with a few well-placed kicks. One wonders how the enemy went about making its plans.

After extensive spying, I have uncovered the truth.

A Dark Fae Counsel, many years in the past.

Dark Fae Prince: I have completed a foolproof plan to break into the human world and take it over.

Fae Minion: Tell us, oh prince. Share your genius.

Dark Fae Prince: Here is my plan: Fever!

Fae Minion: …Kind of not following. You are referring to the thing you take Nyquil for?

Dark Fae Prince: Yes, well, what is it the humans say? Give me a fever long enough and a fulcrum on which to rest it, and I can move the world! Mu ha ha!

Fae Minion: I’m pretty sure that’s a ‘lever,’ Sir.

Dark Fae Prince: …Crap. Always thwarted by simple machines, dagnabbit. Well, let’s see how this fever thing turns out, eh? Humans can’t have that much Nyquil in stock, after all.

 

Vote for Unlocked: Where the enemy is the protagonist.

http://dabwaha.wordpress.com/

In which Victorians attempt to rap for #dabwaha

March 31st, 2012

Having had an entire seven days to contemplate my strategy for success in DABWAHA, after Unveiled was defeated by Shadowfever, I had to think about why people were voting for that book..

Now, there are some possibilities that presented themselves. For instance:

  • It was a wildly popular book that ended a wildly popular series.
  • Barrons was compelling and Mac kicked ass.

I suppose that all of this might have something to do with it, but I can do nothing about those, and so I decided to ignore the wild popularity and the awesomeness of the book, and instead pretend that what I needed was to bridge the historical and the contemporary.

So I decided to write a rap. A Victorian rap. Never mind that I can’t rap; neither could the Victorians, so that would just give it added verisimilitude.

I penned lines like, “You bask in your villainy/You make me feel agony/My other carriage, it is made of mahogany.” Or: “Don’t mess with us, we’re pale and pasty/We don’t get any sun, and our food isn’t tasty.” I figured that Elaine would be wont to say something like, “I wear black and I wear red/Mock my laugh and I will kill you dead.” But–alas–none of these things came together in a coherent story.

I also–desperately–tried to come up with some version in which the speaker put headgear on a donkey that belonged to Barrons. You might wonder why anyone would do so. Well, when you do that, in Victorian parlance, you would say “I put a cap on your ass.” But the convoluted lead-up to joke ratio was pretty dismal–first, I’d have to give Barrons a donkey, and then I’d have to explain why it needed a hat, and then give it one…so no on that, too.

And so I’m left with only this:

Our lamps burn oil and our factories weave cotton
Peers veto bills and our burroughs are rotten.
It’s Victorian England and our voting’s skewed.
Take a page from us, and vote often, dude!

http://dabwaha.wordpress.com/

Voting time!

March 30th, 2012

Hey everyone. It’s that time–time to vote in DABWAHA, the romance world’s March Madness tournament, in which only one can prevail!

Last week, when Unveiled suffered ignominious defeat at the hands of Karen Marie Moning’s Shadowfever, I vowed I would be back. Also, during the last round I used my keen powers of observation to determine the following: when I was awake, I gained on Shadowfever. When I was asleep, Shadowfever gained on me.

The solution would be, of course, not to sleep. Unfortunately, I am too old for that now–I now fall asleep at random times when I shouldn’t, often holding a book or a pen.

Instead, I have scheduled a handful of blogposts throughout the night–I figure that way maybe I can pretend that I am not sleeping, and bamboozle all of Karen Marie Moning’s fans into a hasty retreat. It is time to snatch victory from the jaws of defeat! It is time to come back and…uh, come back. It is time to win by a very narrow margin!

And you can help by voting for Unlocked here:

http://dabwaha.wordpress.com/

Book Signing, DABWAHA and more!

March 16th, 2012

First: If you are in Las Vegas, I will be signing books tomorrow evening (March 17th, starting at 9 PM). I won’t be alone, either–Ann Aguirre, Lauren Dane, Megan Hart, Vivian Arend, Zoe Archer, and Tessa Dare will also be there to sign. It will be an Event. There will be a couple having their vows renewed, a little bit of reading from books, and cake.

The address:

Chapel of the Flowers
1717 Las Vegas Blvd. So.
Las Vegas, NV 89104 USA

You can find out more details on Ann Aguirre’s website.

Second, Unlocked is now up in DABWAHA. If you have a chance sometime in the next 12 hours, head over to the DABWAHA site and give it a vote.

I’ve been busy lately–writing hard and buying a house–but pretty soon I’m going to have a post up that will detail what you’ll get to see from me in the next five or six months… and it’s more than I’ve mentioned. :)

Calling all Darlene Marshall Fans! (It’s DABWAHA time!)

March 15th, 2012

So, for those of you who are new to romance, you should know that it’s time for DABWAHA!

What is DABWAHA? It’s like March Madness for romance writers–and you vote on the winner. But before I go any farther, I have another, more important announcement to make.

CALLING ALL DARLENE MARSHALL FANS! It is now time for our first annual Darlene Marshall reread! Here’s the way it’s going to work. Stop, drop everything, and go immediately and reread every Darlene Marshall book. Do not pass go. Do not even finish reading this blog post. Go read Sea Change–an amazing book about a woman who dresses as a man to pass as a ship’s doctor. You don’t want to miss this reread–there’s a cat named Pirate! There’s amputation! There’s murder! There is willful gender blindness of the hilarious sort. Go now! And once you’ve read it once, go read it a second time–and a third.

Okay…

Waiting…

Are they gone? Good! That should hold ‘em for the next twelve hours or so–long enough for the rest of us to do the important deed.

Okay, now the real message: Go vote for Unveiled by Courtney Milan in DABWAHA. Unveiled is up against Darlene Marshall’s Sea Change. Which is a lovely book, on any other day of the week. But for today–it’s going down to the bottom of Davy Jones’s Locker.

EDIT: Wouldn’t it be great if I included the link? http://dabwaha.wordpress.com/  It’s here. Go! Vote like the wind!

Agency pricing and the vigilante

March 12th, 2012

So, many of you have heard that the DOJ is rattling its sabers at the original Agency 5 and Apple, claiming that they colluded in creating the Agency Model of pricing, a pricing scheme for ebooks that allowed publishers to set prices among vendors without the possibility of discounting.

There have been a number of responses from various sources, but most of the apologists for agency pricing say the same thing. Scott Turow of the Author’s Guild response is pretty standard, as he explains why agency pricing was necessary:

Two years after it introduced the Kindle, Amazon continued to take losses on a deep list of e-book titles, undercutting hardcover sales of the most popular frontlist titles at its brick and mortar competitors.  Those losses paid huge dividends.  By the end of 2009, Amazon held an estimated 90% of the rapidly growing e-book market. Traditional bookstores were shutting down or scaling back. Borders was on its knees. Barnes & Noble had gamely just begun selling its Nook, but it lacked the capital to absorb e-book losses for long.

So, the argument goes, agency pricing was necessary because Amazon was being anticompetitive in the first place. Amazon was engaged in predatory pricing (which is a claim of monopolization, or perhaps in Amazon’s case, attempted monopolization). Predatory pricing is anticompetitive, of course: it raises the barriers to entry to a market, and reduces the number of competitors out there. (It is also hard to distinguish between a highly competitive market in which firms slash prices in order to compete with one another. This doesn’t mean predatory pricing is okay, or that Amazon wasn’t engaged in predatory pricing–but it does mean that it’s not an easy call to make.)

But assuming that Amazon’s pricing was predatory (and you could make good arguments on either side), what Turow says is still not an answer.

Self-defense is a justification for murder and assault. “I had to hit him; he was going to shoot me” works. If you are in imminent danger of death or bodily injury, saying that you must wait for the authorities to come rings rather hollow. But try these on for size: “I had to steal his car; he was going to take my wallet.” Or: “I had to engage in insider trading; she was embezzling funds and the stock price was about to go down.” Uh, no.

Those are not justifications that get you off the hook for your wrongful act. If someone is doing something wrong, and the harm you suffer is purely economic, you can recover for that harm. If it is so patently clear that Amazon was engaged in the attempted monopolization act of predatory pricing, sue them and recover treble damages under the Sherman Act. (If it is not so clear that you’d win, well…that just means that your justification sounds a little thin.)

More importantly, like someone who engages in insider trading, the victim of the harm is not the person who supposedly done you wrong, but the consumer. In this case, agency pricing actually made Amazon a ton of money–and cost readers in terms of access to books and higher prices. Casting agency pricing as an act of defiant vigilantism is all well and good in terms of rhetoric, but most of the things that vigilantes do are illegal.


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