Archive for January, 2010

Just a reminder

Saturday, January 30th, 2010

Are you a Macmillan author? Peeved that your book is suddenly no longer available through Amazon?

Just remember: there’s one thing that authors can and should do in circumstances like this (and, um, always). That thing is: link to lots of different bookstores. If your book is unavailable at Amazon, you can get it at Barnes and Noble or Borders or Powell’s or the Tattered Cover or any of a number of other bookstores. It’s important to link to all those places, not just Amazon. When you link to Amazon you’re sending the implicit message that Amazon is the only place to buy books, and in my opinion, the most important thing to me as an author is that readers can buy my books everywhere possible, not just in one place. If the power is distributed among many, many people, you’ll have more experimentation (please, somebody, with DRM-free formats), more attempts to try some price variation (I would pay more $ for a DRM-free format), different books being highlighted at different stores, resulting in a more diverse environment with more choice for everyone.

I know it’s a pain to set up all those links.

That’s why I created my free (both in price and in distribution rights) ebook linking script, which you can run on any PHP website.

That’s why I also created my free (in price, although see fine print disclaimer) link generator, so that those who cannot run PHP can copy and paste links to multiple bookstores directly into their website.

The real fight here isn’t just over the $9.99 price tag. It’s about whether there ends up being only one place where people go to buy books. I love Amazon. I buy from Amazon. I’m happy that they’re selling my books. But I don’t want Amazon to be alone.

If you care about consumer choice as an author, make sure you give readers choice, too.

Fine print disclaimer, rendered in regular type: my link generator defaults to using my Amazon and indiebound IDs, although it allows you to use your own or use none at all. I set this up this way because sometimes I copy and paste links myself, and I am too lazy to keep adding my Amazon affiliate data by hand. So it is possible for you to use the link generator and for me to get a kickback. If you don’t like that behavior, though, you can turn it off.

Stop! Using! Bad! Numbers!

Thursday, January 14th, 2010

(exclamation points, on the other hand…)

There’s a conversation I’ve had before. In terms of authors I fall on the weak end of the “Boo, Piracy!” side, and I especially fall on the extremely strong end of “Boo, DRM!” The basic gist of the conversation was something like this: “Well, you might not think it’s a big deal now, but wait until you see your book on the piracy sites, with all those downloads listed.” Well. Okay. I’ve waited. Now here I am. I am officially a published author. I officially have to worry about whether my sales numbers will be good enough, and whether they’ll justify another contract. I have, in fact, lost sleep over this.

You know what makes my head hurt when I worry about sales numbers and contract renewals? The fact that one of my local Borders didn’t get their shipment of my books in for two weeks, and worrying that this might be more than just a local error. You know what will make people buy my books, faster and with greater likelihood, than if I spent 20 hours a week filing takedown notices? Their finding my book in Target where they stopped by to get lightbulbs.

My guess is that maybe, maybe, 1% of the people who download my book will actually read it, and maybe, maybe, 1% of the ones who actually read it would have purchased it. I absolutely despise these “estimates” of the cost of piracy that just take the number of downloads and multiply it by the cost of the book, because that has no basis in reality.

The most recent such estimate has hit the twitter/authorosphere by means of Publisher’s Weekly, in which Attributor estimates that piracy costs the industry “as much as” $3 billion in lost sales. Already, this has been turned into “pirates cost the industry $3 billion!” Sugar plums dance in heads, as people imagine what their sales would be like with another 6 zeroes attached to the end.

But the study (you can read the whole thing here) isn’t worth the paper it isn’t printed on, and its findings have been lied about by the very people who ran the study. It is so egregious, that I am angry just thinking about it.

So let’s start with first things first: Note the source. Attributor is not a scientific outfit. They are not economists who have been trained to determine this sort of thing. What “Attributor” is, is a fee-charging service that tries to stamp out piracy for you. This means that Attributor has an incentive–a financial one–to convince authors and publishers that there is money to be made in stamping out piracy. Beware anyone with murky motivations.

Now let’s move on to the methodology.

Attributor estimated the cost of piracy at $3 billion dollars using the following methodology:

  1. It used the titles that it was tracking–that is, the titles where people had paid it money to hunt down and remove illegal copies. These titles are not listed in its methodology, but Publisher’s Weekly listed them as titles like, “Girl with the Dragon Tattoo” and “Angels and Demons.” Not precisely representative of book downloads in general.
  2. Somehow, it figured out what “market share” each potential hosting site represented. The methodology does not explain how it figured that.
  3. Four of those sites show how many “downloads” a title has. Using the estimated market share in part 2, Attributor stated that these sites represented 36.4% of all downloads. So it figured out the number of downloads by taking the number of downloads from those four sites, and dividing that number by 0.364. This gave them 9 million copies of books sold.
  4. Attributor looked up prices for these books, and multiplied price by downloads. This gave them a figure of $380 million.
  5. It then estimated that the 913 titles it was tracking represented 13.5% of the book publishing market. Again, no explanation is given as to how they measured this. By number of titles? (not possible; there are more than 10,000 books available for purchase). By percentage of books sold, per BookScan? I don’t really know where they get this number, but it’s pretty clear that the titles listed by Publisher’s Weekly represent very, very popular titles, and I’m not sure it’s fair to extrapolate from one set of books to the other, especially since their own findings demonstrated that there was variability in download rate for different types of books. In any event, they took $380 million and divided it by 0.135, which gave them $2.8 billion.
  6. They added $200,000,000 to the number to make it nice and round. No, I’m not joking. That gives you an idea about precisely how scientifically accurate this study is.

These numbers are useless. In the study’s methodology, it acknowledges that these numbers cannot even attempt to estimate financial loss:

(study here; page 5).

Which, of course, is why, Attributor, in announcing its findings, announced it thusly:

You know what I call that?

I call that dishonesty. The numbers themselves are drawn from nowhere, are unexplained, and use estimates that the survey methodology itself acknowledges render it useless for the determination of loss. But Attributor–who makes its money from publishers scared of piracy–has itself used those numbers to claim something that they can’t actually claim, and those numbers are now being disseminated around the web by people who call this fact.

Piracy is bad. But you know what? So is a dishonest representation of those findings, especially when those findings then become part of the debate about what should be done about piracy.

I am firmly opposed to piracy. But I am also firmly opposed to lies about piracy, and this is a lie, both in the “damned statistics” meaning of the word, and in the “knowing misstatement of the truth” sense of the word.

Shame on you, Attributor, for your misleading press release, and for your blog post stating in certain terms what you, yourself, internally said you hadn’t even attempted to estimate.

Winners

Sunday, January 10th, 2010

SO I just realized I forgot to pick a winner of the Completely Serious Compendium of Utterly Dire Events. In part this is because shortly after posting that post, a Dire Event happened to me–namely, my laptop got stolen–and I’ve been in panic mode ever since.

But panic has been averted, and here I am, picking a winner.

And the winner that random.org draws for the commenters is….  COURTNEY MILAN!

Uh. Oops. (Really. random.org drew me. Thanks, Random.) It turns out that winner already has a handful of copies of that book.

So, the, uh, second runner up: it’s Jeannie Lin! Congratulations, Jeannie.

For the rest of you, I am at the Eloisa James/Julia Quinn bulletin board all month, answering questions, talking about dogs, and telling you what I’m reading. Come by and say hello.

Subtle Nightmares

Wednesday, January 6th, 2010

There are some obvious nightmares: dreams where you’re chased by big monsters, or dreams where you wake up and someone is standing over you with a knife, or dreams where someone threatens to kill your puppy. For me, these dreams tend to be dark in tone and texture; they happen at night, and they’re often stripped of most of their colors, pulled down to a very basic color palette. (Those who say you can’t dream in color are simply wrong. I do dream in color, and sometimes color has been material to the unwinding of my dream.) You wake up from these dreams with a pounding heart, glad to be back in reality.

Then there are subtle nightmares. They start out like a regular dream: the full color spectrum. Nobody’s chasing me. Nobody’s threatening me or my loved ones. Instead, they start out so subtly normal that I think nothing of it. For instance, in one of my recurring subtle nightmares, I could be anywhere: walking through the town where I grew up, applying for a job, checking the mail. And then something happens: Maybe someone comes up to me and hands me a notice, or maybe it arrives in the mail, or maybe someone makes a phone call at the job where I’ve applied. For whatever reason, the nightmare part starts like this: “Well, Courtney, we just noticed that you never took the Public Health segment in high school. You’ll have to go back and finish it, or we’re going to rescind all your degrees.” And then, before I know what is happening, I’m being pushed back into high school, I’m turning seventeen again, I’m back among all those people, back when people cared more about the name on the jeans pocket than they did about what you might have to say…. NOOOOOOOOOOOOO!!!!!

I wake up, my heart pounding, glad to be back in reality where I desperately need to do laundry and I’ve still forgotten to pay that parking ticket, but by God, at least I don’t have to go back to high school. This is not very fun, as you can imagine. The subtle nightmares are in many ways more insidious, because they feel so much more real.

In any event, this is all by means of saying that in the last week or so, I’ve developed another subtle nightmare. And, yes, it will make you think I’m slightly neurotic as authors go, but hello. I should think you’d have figured that out by now. In any event, my agent, who is wonderful, has been sending me weekly sales reports gleaned from Bookscan. And those sales reports tell me how many copies of my book sold (although Bookscan is not complete, it is the only thing I have, and so I cling to it with irrational force) throughout the US. So far, the only reports I’ve gotten have been reports about the anthology–and I’ve been fairly blase about that in a sense, because it’s not one-hundred percent all the way mine. To be honest, most people bought it because it had the words “Mary Balogh” on the front, and I am totally cool with that.

But this… this one is all mine. And that makes it five hundred times scarier. In my subtle nightmare, I open my Bookscan report, and peer, frightened, at the number.

The number changes. Sometimes it is 6. Sometimes it is 7. It is never any greater than 8. And I say, “Wait. I bought every last mother-loving one of those copies!

So yes. That’s my current neurosis. I don’t see how authors back in the day survived, not knowing if anyone at all had purchased their book for months and months and months.

I sometimes think that these subtle nightmares are my subconscious’s way of making me feel good about reality by managing expectations. Yes, I may be behind at work; but hey, at least I don’t have to go back to high school! And yes, maybe I am getting far too angsty about meaningless numbers on Amazon–but at least more than 6 people will have bought my book (I hope–I actually will not see these magic numbers until, maybe, tomorrow, so there is one more evening of absolute neurotic panic).

In any event, if you bought my book, thank you for saving me from my worst neurosis. Thank you.

Mr. Milan reviews Proof by Seduction

Tuesday, January 5th, 2010

Courtney’s Note: This review was written by Mr. Milan. Courtney edited it only for length. We all know that Mr. Milan has no bias towards Courtney. None.  Admittedly, he is married to her, but a little thing like that would never lead him to soften his reviews.

Hello again. I’m Mr. Milan, Courtney’s husband. She’s asked me to read and review her debut novel, Proof by Seduction, even though my review of her novella was less than stellar.

Maybe Courtney thinks this time I’ll succumb to the temptation to speak well of her novel for the sake of domestic peace. Maybe she hopes my tastes have changed, that a story without any swordplay, without any characters attempting to vanquish their enemies by force, without an ending that pays the price of the hero and heroine’s triumph in gallons of spilled blood, will magically earn a good review from me.

Though I love her dearly, Courtney thinks wrong. I read Proof by Seduction from cover to cover, and I thought it sucked.

Courtney’s biggest failing is that she consistently fails to focus on the most interesting parts of her own story. Before I get into my review, I want to present this tendency of hers in pictorial form. Since a picture is worth a thousand words, I thought I would provide an illustration, or in this case, two.

This is how Courtney wrapped her Christmas present to me:

Courtney's gift to Mr. Milan

Are you seeing the problem? Bows. Ribbons. Curls. Flowers. The present inside was great, sure, but what was with all that stuff on the outside? I showed her how to really wrap presents with my gift to her:

Mr. Milan's gift to Courtney

I’m sure you can all see my point here: Courtney focuses on the uninteresting parts. But let’s get back to Proof by Seduction. Courtney gives us a hero, Gareth Carhart, the Marquess of Blakely, who she tells us has lived in the jungles of Brazil. Great. She has my attention. That’s cool!

But does Courtney give us any scenes to flesh out that adventure? No. Lord Blakely must have had to defend himself from jungle predators in Brazil, right? How did he do it? Did he shoot them? What kind of gun did he use? Who manufactured it? What did the after kick feel like? How many guns did he have? I want to read about that one time when Lord Blakely and his party were surprised one night as they sat around a campfire, listening to monkeys howling in the jungle blackness, by an an enormous jaguar who managed to drag away two of Blakely’s companions (to be eaten later) before coming back for Blakely, who had just managed to load his rifle and…

But instead, all we learn about the Brazil trip is… that it taught Lord Blakely how to make his own breakfast.

Memo to Courtney: Breakfast? If you want to write a really good book, write about the exciting stuff!

Courtney’s story telling ability when it comes to her heroine is no less frustrating. Jenny Keeble is the only character smart and resourceful enough to challenge Lord Blakely (who presumably doesn’t carry rifles in London, for some odd reason), and I have to admit that their (metaphorical) dueling reminded me (metaphorically) of the light saber battles between Obi Wan Kenobi and Darth Vader, or Luke Skywalker and the Emperor, or Yoda and the Emperor. Two skilled combatants, evenly matched, kicking each other’s butt.

So how did Jenny get to be such a bad ass? We’re told she was sent to a school when she was four and abandoned by her parents, and that she was a troublemaker. She pissed off the old schoolmarm so much that years later, the old crone wants to see her get what she deserves.

Wow! Jenny must have been a real cool dude in school. Courtney, show us scenes of her being bad ass! But alas. Does Courtney give us any examples of Jenny being a rolling terror in her school girl days? How about a scene where she’s throwing spit wads at the teacher when her back was turned? Or how about the time when Jenny learned to do a karate chop and she broke this other girl’s arm, and then she whirled around and did a groin-kick to this other prissy girl, while ducking under the teacher’s arms? Where are those scenes, huh? What a missed opportunity!

Courtney could have earned a whole extra Sherman Tank from me had she written about just one of Jenny Keeble’s schoolyard fights, preferably with blood and/or breaking bones.

To sum up: Proof by Seduction has a great hero and heroine, but Courtney doesn’t write enough about why they’re great.

Bottom Line: One and a half out of five Sherman Tanks.
half a sherman tank

Happy New Year!

Friday, January 1st, 2010

Hi everyone, and Happy New Year! It’s January 1st, 2010, and that means…. YES! Proof by Seduction is officially out! You can buy it anywhere fine books are sold.

Madame Esmerelda predicts savings in your future!One of the places where fine books are sold is over at eHarlequin.com, where they are running a special promotion, in which Madame Esmerelda is making predictions. These are the best kind of predictions for a false fortune-teller to make, of course: one where the person making the predictions controls the outcome.

But there are other places to buy Proof by Seduction: Indiebound | Amazon | B & N | Powell’s | Borders

And, as always, with any release, there will be more goodies here. For instance, later on this week, I’ll be hosting what is quickly becoming an important tradition: Mr. Milan (yes, my husband) will be posting his review of Proof by Seduction. For those of you who missed it, Mr. Milan reviewed my novella, “This Wicked Gift.” It was… interesting. (We were planning to have the post go live on January 1st, but an unfortunate incident in which his laptop was stolen seems to have prevented that).

There may be a couple of other surprises in store for today, too. You’ll just have to wait and see!


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