Archive for September, 2010

Mr. Milan reviews TRIAL BY DESIRE

Tuesday, September 28th, 2010

Do you know the drill yet? Mr. Milan, a completely objective reviewer who just so happens to be my husband, reviews my books. I edit for length (that’s it). This review is the result.

Hi everyone. It’s Mr. Milan again. Usually I just review Courtney’s books, but as you will see this is half review, half investigative journalism. You will understand the necessity for this when I reach the end.

As you may know, my past reviews of my wife Courtney’s work have been, on the whole, negative. Not that I don’t love Courtney. I do. It’s just that as a book reviewer, I have to call them as I see them. With her past work, there just wasn’t enough of the things that I liked to warrant a positive review.

Let me remind everyone where I’m coming from: I’m an avid reader of fiction, just not the kind of fiction Courtney usually writes. My tastes tend toward fantasy, sci-fi, and spy novels. I’ve read everything China Mieville’s ever published, I have a whole shelf of Barry Eisler’s books, and I’ll even, if it isn’t too vapid and mopey, read the occasional work of literary fiction (a good recent example is Wolf Hall by Hillary Mantel).

So, blessed (burdened?) with this background, I turned to Courtney’s new novel, Trial by Desire. I read it from cover to cover.

As a reviewer I try to keep an open mind, but you do sometimes judge an author by her previous books.  I had certain expectations when I came to this book. I am sure you can guess what those are by my previous reviews and that’s because you are judging me by those too. You are expecting me to say that this book sucked.

This book didn’t suck.

I checked the front and the book was still a couple sharing a torrid embrace. I checked the name and it was still Courtney Milan. A less secure individual might next have checked his pants to see if his manhood was still intact.

You may be surprised by my less than wholly negative review. But you really shouldn’t be. Trial was full of good action scenes, and they were well-written. The hero, Ned Carhart, isn’t afraid to mix it up, and Courtney, to her credit, isn’t afraid to write about it. Ned confronts rampaging horses, makes witty comments while held at gunpoint, and punches out the villain several times. He’s actually a great hero. I can see why the heroine would admire him.

Especially because the heroine’s not bad herself. Kathleen Carhart commands respect, because she’s willing to stand up for what she thinks is right. And she’s willing to risk more than just social humiliation or financial disappointment in order to win the man she loves. She’s a lot like Ned–she’ll face real danger if she has to, and that’s cool.

This book had more action in it than William Gibson’s latest book, Zero History. All of this made me wonder: what happened? How did someone who wrote the Sherman-Tank-deprived Proof by Seduction come up with a book that I enjoyed? This is where the investigative journalism part comes in.

Romance novels are often unfairly maligned for adhering to predictable formulae, the most common being the happy ending with the protagonists together in everlasting love. For me, that’s not a problem. Many other kinds of genre fiction are just as predictable — when was the last time the sleuth in a genre mystery failed to solve the crime? Following a convention that defines the genre isn’t cause for complaint.

Besides nobody knows more than me how hard Courtney works. I heard her swearing up a storm over this book. It wasn’t easy for her to write. But I’m her husband, and I was around when she was working on this book. I have access to the notes that she keeps in boxes in the basement. And after reading the book and having that weird positive reaction, I just couldn’t help but get suspicious.

It’s not that Courtney used a formula to help her write this book. Before you read on, make sure you are sitting down and remove any small children from the vicinity because this might be disturbing.

Courtney actually used algebra.

I am writing this review at the kitchen table with a sheaf of papers spread in front of me filled with mathematical calculations that I am convinced are her deriving this book from first principles. I don’t know how she did it, but here is a snippet of proof–and remember I have reams and reams of paper containing items like this.

Courtney uses partition functions to derive Trial by Desire

I hope you are as shocked as I am by this undeniable proof that Courtney is blatantly writing her books to a formula. I do have to admit that it is a very complicated formula and that she used a lot of them. I feel equally confident that other romance writers don’t do this. Nonetheless it explains my initial positive reaction to this book.

My enjoyment of the book was dulled considerably by this discovery.

Three Sherman Tanks.

Sherman Tanksherman tankSherman Tank

It’s Courtney again. Thank you, Mr. Milan, for that…uh…very kind review filled with scurrilous lies.

One person, making a difference

Friday, September 24th, 2010

Yesterday, limecello (a reader, a reviewer, and a wonderful part of the online romance community) posted a blog for Social Good Day. She made the following promise:

I’m poor- I have no job and have law school loans, but this is important to me. I wish I could give more… but here’s what I’m going to do. If 10 people comment on this post today, I’ll donate $10 to the (RED) fund. [And let’s hear it for optimism, because if there are a whole slew of comments, I’ll re-assess that amount.]

After a few hours, inspired by Limecello’s positive attitude (and her drumming up comments for the post), Shiloh Walker agreed to add in $50 if she got to fifty comments. And then… it just seemed to snowball. By the end of the day, limecello had raised $1,150. Over one thousand dollars–all because she started out asking for ten comments, to pledge ten dollars.

And so if you ever have any doubt that one person can make a difference–that one little thing is never as little as it seems–and that the romance community can come together and make good things happen, just take a look at this post.

Dark Horizon

Tuesday, September 21st, 2010

Last week, I introduced you to Madame Esmerelda’s predictions for a new year, a short prequel to Proof by Seduction.

This week, I have a second prequel–this one touching on Gareth’s time in Brazil. I present to you Dark Horizon, a short (1500 words) story.

Six days from now, you’ll get… but that would be telling, wouldn’t it?

I forgot to mention this last time, but both stories are released under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 license. Feel free to share with your friends.

In Oregon? I’m signing books tonight.

Friday, September 17th, 2010

I’m going to be at the Powell’s in Beaverton, Oregon, tonight, signing books.

Sadly, I don’t think they’re going to have early copies of TRIAL BY DESIRE out–it’s a week and a half too early for that. But I will have some awesome goodies–copies of THE GIRL WHO LOVED HISTORICAL ROMANCE (a free book of teaser excerpts), as well as everything you need to turn your books into either a Compendium of Utterly Dire Events, or Trial by Barbed Wire.

Come find me!

TRIAL: Two weeks away!

Wednesday, September 15th, 2010

We are now at the T-13 days mark for Trial by Desire–and if my experience with Proof by Seduction is at all any indication, my guess is that means that Trial is going to start sneaking onto some bookstore shelves pretty darned soon–before the release date.

In any event, in celebration of breaking the two-week mark, I have also posted a free ultra-short story–a prequel to Proof by Seduction that I wrote a while back that involves Madame Esmerelda’s predictions for the New Year. Next week, you’ll get another one–another short prequel to Proof. And the week after that… well, you’ll get Trial, but you’ll get something else, too, so be sure to visit then.

But I’m sure you want to hear more about Trial. Booklist (the American Library Association’s review publication) just released a starred review for Trial by Desireone that absolutely blew me away:

Milan deftly incorporates realistic historical grit in her coverage of the Opium Wars, social candor in her treatment of domestic violence, and stunning emotional depth in the mesmerizing plot, and the result is an exquisitely sensual and unforgettable romance by one of the genre’s incandescent new stars.

A review like that almost makes me want to read the book–which says something, seeing as how I already know how it ends. ;) (Actually, it also makes me want to manage expectations: to say, “You know, ‘incandescent’ might be a little strong–how about just ‘faintly glimmering’ instead?”)

Finally, the winners of Proof by Seduction from my last post: Julie, kimmie lange, Angela, Robin K, and Stacey. Send your snail-mail to courtney@courtneymilan.com and these will go out in the mail.

Er: I’ve edited this to add one last thing. For those who want to read the official prequel, such as it is, my novella, “This Wicked Gift,” in The Heart of Christmas is now on sale in e-version for $3.89 at Amazon (for Kindle and related applications) and Barnes & Noble (Nook, et al).

Giving away PROOF BY SEDUCTION

Friday, September 10th, 2010

So: Winners from last time:

My Lord Scandal: SylviaSybil
The DUFF: Elisa

You know the drill: e-mail me your address at courtney@courtneymilan.com, and congratulations!

Now, on to other matters! As you may well know, Trial by Desire comes out in… ulp! Two and a half weeks. And it occurs to me that some people–some few people in the world–have not yet read Proof by Seduction. And so I have been giving a few copies away–some on Twitter, some on Facebook–and now, I’m going to give them away on my blog.

So. If you don’t have a copy of Proof by Seduction, let me know. I’m giving away at least 5 copies. Maybe more, depending on how I feel and how many people enter and all that jazz. You have all weekend–in fact, until next Tuesday, when I make my Next Big Announcement (which makes it sound bigger than it is, but hey), to enter. Did you somehow miss out on Proof? Or, do you have a friend who needs a copy of Proof? (You do–you know you do!) Just let me know, and I’ll pick at least 5 of you, at random, to win.

Squirrels and books!

Wednesday, September 8th, 2010

Today has been a day filled with work from about 6 AM to…um…it is still continuing now.

There were brief interludes to eat dinner and take the dog for a walk. The dog, incidentally, has hit a milestone in his life: today he caught his first squirrel. I am a little perturbed by this development, and he was utterly delighted. (For the curious: It was a ground squirrel. He nosed it up off the ground, shook it, flung it in the air. We called him off at that point, and–good dog!–he actually came. But he was very, very insistent in wanting to go back to where we found the squirrel, convinced that we’d made him leave behind the newest, best toy ever.)

Despite all that, here I am, to distribute copies of Warrior and to tell you about some books I read over the weekend during the few hours when I was not working, and which, incidentally, I have extra copies of. For you.

First, the winners of Warrior are: Llehn and Cris. Congratulations! Send me your snail mail addresses at courtney@courtneymilan.com.

And now, the books.

  • Emma Wildes’ My Lord Scandal. This is a book about a rake and a sheltered virgin. But it is not the book you think–the rake is actually really honorable at heart (even though he is, after all, a rake), and the virgin, while a virgin, is so matter-of-fact and straight-forward and in charge of her life. There is no misunderstanding. There is no kicking and screaming on the part of either of the characters, when they realize that love is descending with nasty, clawed teeth. There is no stupidity. In fact, one of the most delicious things about this book is that it’s a straight-up love story: you really do believe that Alex and Amelia are really, really good together, and that they are going to be deliriously happy together for the rest of their life.

    And yet there is constant tension throughout, with never a dull moment. These are two of the most likable characters I’ve seen–for their forthright honesty, their commitment to each other, and their ability to cope with some really awful situations. I’m not sure I can describe the awesomeness that is this book. It’s sort of like, I’m reading it, and thinking, “Oy, setting up for misunderstanding in three, two, one…Wha? They didn’t! Yes! He didn’t do that! Awesome!”

    Also, this book is incredibly hot. I’m just saying. Loved, loved, loved this book.

  • The DUFF by Kody Keplinger. This book is a YA book. It uses words like “asshole” and “fuck,” though. There is Cherry-Coke induced violence. I didn’t count the number of times that the main character has sex (with the same guy). So this isn’t precisely your grandma’s YA. It’s an edgy, raw book–one where the heroine does some things that feel almost dangerously self-destructive. But as the book progresses, we start seeing that her coping mechanisms aren’t as downright awful as you might think. And yeah, Bianca, the heroine of this book, is more than a little bitter. But we see that she has reasons–real reasons to be.

    Wesley is the romantic love interest, and he is not romanticized one bit–not by the book, the story, or Bianca, who is so straight-forward and clear-thinking, that I want to stand up on cheer. There is no “but he loves me so it is okay!” justifications going on here. There is no “I must prove myself to him by some act of painful self-sacrifice!” vibe, either. It’s just about Bianca, figuring out what she deserves, and realizing that she doesn’t have to be the sweetest little piece of docile cherry pie ever to get it.. There are some parts of this book that are laugh out loud funny. There are some parts that are downright brilliantly heart-stopping. There is one scene where I finally, finally start cheering for Wes. Neither Wes nor Bianca have to be perfect–nor do they have to apologize for their imperfections to each other. At the end of the day, I think these two like (and I do use the word “like” advisedly) each other for their imperfections, not in spite of them.

    I’m not sure how to describe this book to readers of adult romance, but just think about it this way: If Victoria Dahl’s heroines were in high school? Yeah. They would be Bianca. And if that doesn’t sell you on it, I’m not sure what will!

    This is one of the best YA books I have read this year, if not the best. Straight-up no-nonsense awesomeness.

So: there’s my last week’s reading in a nutshell. (Actually, there were more books–but these were the three huge standouts.) These books were such huge standouts that I actually went to the bookstore today for the purpose of getting extra copies to give away. Normally, extra copies just sort of magically appear, because I can’t help myself. These…these I went to get on purpose.

Also, as a note: the author world is very small, and quite often I know the authors whose books I’m giving away. This is not to imply that I’m less than honest in my discussions (alike Sarah Rees Brennan, I just don’t do negative reviews–so I keep my mouth shut, generally.) In this case, I’ve never met either Emma Wildes or Kody Keplinger in my life. We’re not friends. We’re not even acquaintances. And I loved both books enough that honestly, I had to buy extra copies and I had to give them away, because I want everyone to read these books. They are just that good.

So. There you are. If you didn’t win Warrior, you can win another book. And both these books are made of utter awesomeness.

Giveaway: Warrior, by Zoe Archer

Tuesday, September 7th, 2010

When I was growing up, I was absolutely mad for awesome coming-of-age stories. The kind that stayed with me–the ones that I still have not forgotten, even today–are adventure stories. You know the sort. There’s an ordinary girl who lives what is otherwise an ordinary life, up until the point when she is snatched away by (take your pick) a trio of old women/a man in a desert cloak/an apparition from a dream. Thereupon she proceeds to kick ass and save her little brother/her country/the entire world. I’m sure many of you were right there with me, reading those books. Robin McKinley’s The Blue Sword comes to mind, as do Madeline L’Engle’s A Wrinkle in Time or Jane Yolen’s Dragon’s Blood. I grew up on those stories. I read them over and over and over and over, until the spines of the books cracked and entire pages fell out, not that it mattered, because I had those pages memorized anyway.

Warrior by Zoe Archer

And so if you want to understand why everyone seems to be buzzing about Zoe Archer’s upcoming Blades of the Rose series, it is because the books capture that same sense of magic and discovery in the books I adored as a young adult–except this time around, they’re for adults. They’re not coming of age stories, of course; they’re much deeper, with emotions that resonate with the person that I am now, instead of the thirteen-year-old I once was. But there’s still that same sense of magical discovery inherent in them, that feeling that at any time in my normal life, I might meet someone who will slip me a compass, and the next thing I know, I might be the person who runs off on a voyage of discovery.

So let me tell you about Warrior, which is the first book in the back-to-back-to-back-to-back series filled with awesomeness. It starts when Captain Gabriel Huntley, newly returned from Crimea, happens upon a group of men beating up another man in Southampton, England. Huntley isn’t sure what is going on or why–all he knows is that the odds don’t look good for the loner. And besides, he’s not ready to settle down on English soil, not after all those years of adventure.

So he intervenes, and gets more than he bargained for. Over the course of the fight, he sees things that aren’t possible. And at the end, when the person he has helped has no other choice, he’s given a mission: to deliver a message and a stylized compass to Mongolia.

No, not even inner Mongolia; that would be too easy. Outer Mongolia. And Gabriel, who is deeply restless and unready to simply marry a fine English woman and spend the rest of his life getting fat over pints of beer, decides to go. And that is where the story, so far mostly familiar, begins to weave its threads of adventure.

The magic of this story is that it takes you to the windswept steppes of Outer Mongolia, delivers on that same sense of breathless discovery that I remember and love, while still rendering everything accessible. I thought about this for a long time, trying to decipher what it was that made the story seem so different, and yet so instantly recognizable all at the same time. And what I decided was that while the setting is rare and the world that Zoe Archer builds is unique, there’s a real sense of universality to the story. When Gabriel meets Thalia, she’s used to wearing a native dress called a del–but because Gabriel is English, she dons a regular English costume…to hilarious effect. And most of all, it is her emotions that are achingly familiar.

For instance, when she first encounters him, she’s wearing an ill-fitting, ugly gown. When her father sees her, dressed as an Englishwoman for the first time in years, they have the following exchange:

“You look…”

“Hilarious,” Thalia supplied.

“Well, yes,” her father agreed. “But I was also going to say: lovely.”

And in that instant, it doesn’t matter that Thalia is something of an assistant Blade of the Rose living in Outer Mongolia, that her father knows secrets about magical things called Sources. Instantly, I understand the love and affection between them. Thalia’s the tomboy forced to play at dress-up. Without being told, I know that she’s going to ride fast, fight fiercely, and love with intensity. You know that she will lead you into adventure. It’s that same thread of human emotion that we recognize again and again in Thalia and Gabriel. Even though the book proceeds at breakneck speed across scenery that is larger than life, chasing prophecies, fighting off bands of mercenaries, running from with the villainous Heirs casting magic about that threatens their lives–throughout it all, Thalia and Gabriel remain people who we can identify with.

Near the end of the book, there’s a moment when Gabriel refuses to kiss Thalia. The scenery is new, but I still found myself getting just a little choked up right then.

Ultimately, that’s what makes this book so memorable. It’s not just that the scope of the story is sweeping. At the same time that Warrior takes you past monasteries and through magical outpourings of bright red flowers, it also tiptoes through territory that is both human and accessible. It precisely captures that feeling of magic that I remember so vividly from my childhood reading. And yet at the same time, it makes me feel so comfortable in Outer Mongolia that when the book ends, I’m surprised to lift my head up and discover that I’m still in my house, in the United States. For the space of a book, Zoe Archer makes Outer Mongolia feel as if it is truly my home. And that is dark magic indeed.

In any event, if you can’t tell, I am hugely excited about this book–and the rest of Zoe Archer’s series. I’m going to be giving away two copies of this book to commenters who answer the following question: Where would you like to see a romance set?

When to speak up

Monday, September 6th, 2010

Over at Dear Author, there is a lengthy discussion on Red Rose Publishing. I have no first hand knowledge about what has happened over there. There are allegations that Red Rose Publishing has released, and made money, off of books that it has not contracted, that it does not send out royalty statements or checks on time, and that when questioned about this, the owner of Red Rose Publishing sent out abusive e-mails. There have been a few apologists, but nobody seems to have disputed the substance of the allegations. (Doesn’t mean that the allegations can’t be disputed, but nonetheless, fair or no, I have formed an opinion.)

One of the things that keeps coming up in the comments is the notion that dirty laundry should not be aired in public, and therefore these things should not have been talked about.

Don’t get me wrong. I believe that many–in fact, most–aspects of the author/publisher (and author/agent) relationship do not need to be made public. There’s a good reason for that: The publisher wants to do what’s best for the book, and so if there are disagreements–and I list these, not to imply that I have had these disagreements with my publisher, but because they are common things–about what needs to be accomplished in edits, about how to present the book to the public via the back cover copy or the cover itself, and so forth–ultimately, even if our specific reasons differ, our goal is the same, and generally, nobody is served by taking the issue public.

This is a reciprocal rule, too. Your publisher will generally not badmouth you in public, either, even if you are months over deadline, or you make unreasonable demands, or you ask for covers that make no sense in the modern market, or you scream at your editor because she says that the black moment in your book isn’t working for her.

But there is a point where a line gets crossed. Think of it like a boyfriend. Imagine you dated some dude and you never really clicked and you decided he was a total poser. Now imagine that you find out that this dude is dating a distant acquaintance. You don’t go up to her and say, “You know, Eric is kind of a poser.” You don’t want to be the gossipy cat who is out to hurt people out of sour grapes.

But what if Eric isn’t your poser ex, but he’s the guy who date-raped you that one night? Assuming you are comfortable sharing that information, yes, you tell your friendly acquaintance. She might still think you’re a catty bitch–alas, such is human nature–but your disclosure under those circumstances is actually very courageous, and you should feel proud of yourself, not ashamed.

As a general rule, you and your publisher are in a symbiotic relationship, where you are each trying to make each other as much money as possible. You’re trying to write really, really good books, and promote them; they’re trying to produce them in an attractive package, and get them into as many venues as possible. You both want to produce really good books that people will love.

But. If a publisher is regularly and willfully releasing books without a contract [!!!--side note:  I just can't get over this. If it is true, and I do not have first hand knowledge that it is, then not only is RRP unethical, which is bad enough, but it is also monumentally stupid--which is, in my book, unforgiveable.]  that’s not a symbiotic relationship. It’s date-rape, clean and simple. You do not have to sit there and take that in silence. And you should not feel ashamed for having the courage to speak out.

What am I writing about?

Thursday, September 2nd, 2010

First things first: the winner of Trial by Barbed Wire is… SonomaLass! Congratulations, SonomaLass! Send me your address.

Second things second: I’m in the mid-book frenzy of writing my fourth book, which is titled Unclaimed (Unclaimed follows Unveiled, my third book, which will be out in late January of 2011–it will be out sometime in the fall of 2011). Back in June when I was in England, I was doing research for this book (among other things). And if you’re curious what this book is about… well, you can read the basic description on my website, for one. But I decided to add the research books I have open on my desk at this very moment to my research shelf on Goodreads. And that will…not give you any idea at all, except that the book is set partially in Shepton Mallet and partially in Bristol.

I’ve become a little hazy about talking books while I am writing them, because I have written enough to know that it’s rarely a good idea to talk about a book while writing it, because I am either wildly optimistic or wildly pessimistic about its worth.

My process looks like this.

Step One: I write the first scene of the book. Sometimes I write the second scene of the book. Usually, these scenes are the work of some wild and crazy genius, and I can’t believe how perfect I am. This is it! This is going to be the easy book, the one that writes itself with just a hint of work on my part!

Step Two: I write a synopsis for the book. The synopsis highlights two or three things I know have to happen, talks a lot about back story which is unlikely to be the actual backstory of the characters, and makes vague allegations that other things, in fact, also happen. It is designed to convince my publisher (and myself) that I am writing a Real Book, with a beginning, middle, and an end.

Step Three: I write enough scenes near the front of the book to make it look like I have a good start. These, I send to my editor along with the synopsis, so she can see that I am in fact, writing a real book. (Sometimes, these scenes actually end up in the middle of the final book, or get cut altogether, so I’m really faking this part.)

Step Four: I write whatever scenes I think have to happen in the book without reference to when or wherever. I write totally out of order. For a month or so, it is a frenzy of writing–these are the easy scenes, the ones that automatically spring to mind. These scenes suggest still other scenes that must be written. I am exuberant. I ride on a heavy wave of exhilaration. This is the point when I am convinced this is the best book I have ever written, bar none.

Step Five: I have written all the easy scenes, in no particular order. Now I have to try and weave them into a story–filling gaps, figuring out how to get from Point A to Point B. I realize that Brilliant Scene Number 3 conflicts with Brilliant Scene Number 8: they cannot have two first kisses! I grudgingly start deleting, editing, revising, tweaking. At this point, I also begin to realize that Brilliant Scene Number 3…is not so brilliant anymore. In fact, it’s kind of stupid. I rewrite it. I try Brilliant Scene Number 8 in its place. Nothing works. Heck, it’s not even a cogent story. It’s a set of anecdotes. I don’t know what I was thinking.

Step Six: I feel as if I am this close to finishing the book, if only I could solve this one persistent problem! But solving it means that I just have to close this last gap…and then that creates another problem here…

Step Seven: I decide this is the stupidest book ever written. All my efforts to fix it only make it stupider. Why am I working on it? It’s never going to be good anyway. This is the worst book ever. My career is over. Eventually, I can no longer stand to look at it any longer without shrieking. I save the file and send it to my editor in a fit of pique. Often, it is accompanied by a note that declares something like: “This book is plagued by three unfixable problems, and it sucks. Sorry.” Or, perhaps: “There’s a long stretch of crap in the middle and I don’t know how to fix it.” (I have toned down what I actually say for public consumption.)

Step Eight: My editor reads it. She gets back to me. She says things like, “I really like this book!” Secretly, I doubt her taste, and I decide that she must be a liar, since she can say all that without bursting into hysterical laughter. Then she points out lots and lots of things that would make the book better, and I decide that even if she is lying about liking it, she is a genius.

Step Nine: I tackle her list of things to make the book better. Some of the stuff is easy, like clarifying sentences. Some of it looks like it will be easy–things like, “isn’t her reaction a little understated here?”–but when I try to fix it, I realize the whole scene is wrong and I have to rewrite it. Eventually, I get to the point where I can send it to her again. If I am doing really well by the book, I say something like, “Okay, it’s not that bad any more.”

Step Ten: She sends it back, with another list of things to fix. Repeat. By the time I get to the end of fixing these, my eyes are usually bleeding.

Step Eleven: Mercifully, I get a little rest. Then I have to look at the final typeset version of the pages for errors. I pray I find them all. While reading, I am filled with impotent fury at all the things that I want to change, but cannot, because I am only looking for errors.

If you cannot tell, once I get past step four in the book writing, I start to grumble.

Right now, I am on Step 5 in Unclaimed. This is the “everything sucks!” phase. Luckily, once I get through it, I’ll be in the “this book is almost done…once I write one last scene and fix that little bit in Chapter 14!” phase. I’ll be there for a solid month. And that is why I’m not talking about this book until it’s done–because until then, just about everything can (and at some point, will) go.


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